Jusepe de Ribera
1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.
   3 4 5 6 7 8 9 10 11 12  
 
 Prev Artist   Next Artist 
Jusepe de Ribera Apollo Flaying Marsyas oil painting


Apollo Flaying Marsyas
1637 Oil on canvas, 202 x 255 cm
Painting ID::  51128 		Jusepe de Ribera
Apollo Flaying Marsyas
1637 Oil on canvas, 202 x 255 cm
   
   
     
Jusepe de Ribera clubfooted boy oil painting


clubfooted boy
1642 Oil on canvas, 164 x 92 cm
Painting ID::  51129 		Jusepe de Ribera
clubfooted boy
1642 Oil on canvas, 164 x 92 cm
   
   
     
Jusepe de Ribera Jacob Receives Isaac-s Blessing oil painting


Jacob Receives Isaac-s Blessing
1637 Oil on canvas, 129 x 289 cm
Painting ID::  51131 		Jusepe de Ribera
Jacob Receives Isaac-s Blessing
1637 Oil on canvas, 129 x 289 cm
   
   
     
Jusepe de Ribera The Duel of Isabella de Carazzi and Diambra de Pottinella oil painting


The Duel of Isabella de Carazzi and Diambra de Pottinella
1636 Oil on canvas, 235 x 212 cm
Painting ID::  51132 		Jusepe de Ribera
The Duel of Isabella de Carazzi and Diambra de Pottinella
1636 Oil on canvas, 235 x 212 cm
   
   
     
Jusepe de Ribera The Holy Family with St Catherine oil painting


The Holy Family with St Catherine
1648 Oil on canvas
Painting ID::  51135 		Jusepe de Ribera
The Holy Family with St Catherine
1648 Oil on canvas
   
   
     
         3  4  5  6  7  8  9  10  11  12   
Prev Artist       Next Artist     
     Jusepe de Ribera
     1591-1652 Spanish Jusepe de Ribera Galleries Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy. In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces. Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.

Xiamen China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team